![]() ![]() Gives it a more cranked sound without the actual dBs. I love having a channel volume and master to drive the channel and boost THAT signal. Why? The EQ is uber responsive for you to add lots of mids to no mids, shave off or add high end for various guitars, and the bass circuit is very tasteful. The EQ of this amp on the Dirt setting is so flexible. You said you haven't seen any reviews yet. SS is superior in the attack department for low notes and heavy riffs. THe big thing about the CR120 for heavy music is the attack. Suggestion, stack a Zvex Fuzz Factory with a really gated sound feeding the dirty channel with the pedal's gain at 0 using the Stab control and gate control to taste. I use mine for Doom pop, stoner metal, etc. "That’s not in my future, I think.CR120 for Heavy Doom! Hell yes. I won’t be doing a psychedelic solo anytime soon. As for modulation effects… that’s more Tim’s world. "I never used to appreciate compression because it was less obvious than something like a distortion pedal. “It’s a killer compressor… I’ve used a number of them over the years, but this one seems to sound the best. "It’s feeding more food into it all, instead of being a glorified distortion pedal.” Keeley C4 Compressor I tend to want the same tone just more in quantity, and that’s exactly what this does. "Sometimes it’s hard to differentiate boost from a distortion. It also gives the Fender some more cajones, it helps with growl. It comes off for the more dynamic songs, like Son Of Virginia or Regulator. “We keep this on just about all the time. I think people sometimes over-think these things, maybe a Boss pedal might not sound as boutique as others, but it does the job just as good as any.” Custom Audio Line Driver Boost “I got this here in the UK when I left my Strymon Flint at home, it’s just a basic Tremolo. "You can make it really sizzly or really mellow, rolling off frequencies to the point where it doesn’t even sound like a guitar at all anymore, really.” Boss TR-2 Tremolo You can switch this and make it percussive, with the gate open. There are others out there, but I often find them to be a bit too contemporary for me. "I’m a big fan of Pink Floyd’s early synth sounds, and this is the closest thing I’ve heard in making a guitar sound like that. ![]() It has that analogue tone I love, set to a swell mono-synth. Neil Fallon: “This is primarily here for me to use on Our Lady Of Electric Light. Neil Fallon's pedalboard Electro-Harmonix Micro Synth "I can’t ever see myself using an Axe-Fx!” Prev of 9 Next Prev of 9 Next These amps tend to have more girth and get more of an all-encompassing noise, rather than something pokey-sounding. "I haven’t played any death metal on it, though, that’s a little out of my skill set. “Right now I’m only using this for one or two songs that are more metal-sounding, for lack of a better word, like The Soapmakers and Behold The Colossus. I don’t solo, really, so it’s more of a rhythm thing.” Orange CR120 "Those songs lend themselves to that slap, it’s very percussive sounding. I’ll use it for any song I fingerpick on: A Quick Death In Texas, Your Love Is Incarceration, Regulator, Gravel Road, … I think that kind of twang you can only get from something like this. "This has more of that Eddie Hazel vibe, I love all that stuff. It would be redundant to have the same kinda sound. Tim plays through his Marshalls and Oranges, so I feel like it’s important to have a different tone. Neil Fallon: “This is a brand new reissue.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |